Gusho – Reactive Protective Dress

m_7181Together with Cora Bellotto we developed Gusho – the Reactive Protective Dress – a wearable technology aimed at increasing awareness about environmental issues through bodily feedback.

Through a study of the effects of electromagnetic pollution on living beings Gusho aims to visualize the presence of electromagnetic radiation while providing an adaptive, shielding system. Gusho is a reactive clothing, a sort of extension of our nervous system: when it detects a spike in electromagnetic radiations, the clothing triggers a mechanic reaction and deploys a shielding fabric that transforms it into a protective shelter. By using the material and communicative power of fashion, Gusho elicits a reflection on the impact of technologies and, by making the invisible visible, it tells us a story about the environment we all live in.m_7073-1024x682
The project was produced with the support of Fondazione D’ars

Gusho – reactive protective dress from laura malinverni on Vimeo.m_7096

The possible impossible machine


With we create the Possible Impossible Machine. The machine, exhibited in Liwoli festival the Kunstuniversität Linz, borns as a reflection on the limits of “human-computer-interaction” when compared with the richness and variety of possibilities offered by the interaction between humans.

The machine works only when 9 people get organized and activated together and in the same moment, the 9 sensors of the machine.

The modules containing the sensors were built by different people in a series of workshops conducted between Barcelona and Linz.The machine thus becomes a tool for discussing problems, a meta-cognitive object and a self-learning dynamic.

The machine wants to be a methodology, an open process of construction, deconstruction and mutation. It’s aim is to generate pretexts for the reflection about the dynamics of collective creation and the possible (and impossible) displacement of the notion of open source.

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Year: 2011

Technique: software programmed with Processing and controlled by the Arduino microcontroller with different types of sensors. Modules built with recycled material and tapes

Dimensions: 4m x 4m


Minipimer’s filescape


Minipimer’s filescape was created with and is an installation in the exhibition SummerLAB-showcase in Laboral (Gijón) and emerges as SummerLAB 2010 memory.The installation takes the form of an infographic device that crosses and mixes the concepts of time, collage, fragmentation and subjective mapping with the construction of a narrative.img_5262 The installation arises from a work of organization and classification of  the database of videos of the live streaming of SummerLAB 2010 and consists of different analogic devices (photos, tag cloud and video) which show the multiplicity of possible arrangements that can be performed with a set of files and how such process represents just one of the possible ways to generate new narratives from a database.

The result is the construction of a map that, through the use of various forms of data visualization, shows the impossibility of generating an objective reading device within a database.img_5306 Installation

Year: 2010

Technique: video, graphite on wall, photos screenshots,pins and sewing thread

Dimensions: 12m x 3m154415_133932646659858_4053336_n

Mi primer patch

36068_123700274349762_6893050_n Mi primer patch was created with It is a mural cartography produced in the framework of Hangar Taller Obert 2010. The map brings together the elements that constitute the practice of the collective by using the structure of Pure Data programming environment.

The development of the work arises from the reflectionabout the displacement of the notion of free software and open source to artistic production. Believing that in art “open the code” means to visualize the process means, mi primer patch is a artisanal cartography that speaks the language of computing and emphasizes the connection as a hub for the operation of any system.miprimerpatch_assembly


Year: 2010

Technique: pen and cardboard, printed texts, wires on wood

Dimensions: 2m x 2m36068_123700264349763_1838454_n



(barter in Italian) -barato (cheap in spanish) is an itinerant participatory installation with the purpose of reflect on others possibilities of circulation of consumer products. The intervention Baratto-barato was first performed at the Festival “Perpetracions” (Barcelona).

The installation is constituted by a room where  are placed objects found in the streets. Visitors were invited to take with them any objects and left there what they had at hand: this dynamic create a chain of exchanges.

The work has a corresponding blog ( where are reported the photos of the exchanged objects.baratto-1024x358


Year: 2009

Technique: participatory happening, objects found in the streets

Dimensions: 3m x 2m


592_9230ObraWiki is a research project about collective artistic creation processes. The project used as a source of inspiration different computational and cultural products based on open content (free software, wikipedia ..).

The work focuses on the significant increase in recent years, of what scholars have called “the paradox of opensource” that is, the fact that collaborative works, even if in many cases are neither designed or paid, can work as well as products designed in a business context.

But what are the measures that can ensure its working and which are the ones that can weaken it? What are the limits that collective creation can reach, before transforming into a inconclusive chaos, a number of voices so confused that no can produce nothing more than a nonsense whisper?

Through the use of an experimental methodology ObraWiki opens the debate on these issues, investigating within visual arts context, the boundary that separate the effectiveness of collective intelligence and the risk of an inconclusive chaos.

592_9245 Happening

Year: 2009

Technique: participatory happening of collective creation, wood tables with layers of transparent plastic593_9371

Museo Improvvisato

14museoMuseo Improvvisato is an intervention in public space built entirely from waste, based on the subversion of the value commonly attributed to waste and on the reflection about the role of museum as an art legitimization device.

This piece consisted of the creation of an exhibition space from the waste found in the ground around the site of intervention.During the process each piece of waste receives a title and the intervention was concluded with the organization of a guided tour to the exhibition.

The use of waste as an object of ready-made art underline how the process of attribution of value is simply a social situated act.  16museoAt the same time the process emphasizes that our attention to the waste can be transformed by a conscious practice of evaluation.

Intervention in public space

Year: 2008

Technique: site-specifics waste, cardboard

Dimensions: variable13museo15museo12museo9museo11museo